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Friday, January 7, 2011

Play Guitar - Proper Method To Use To Reach Your Goals

Successfully learning how to play guitar is within the grasp of most people, yet many beginners

give up too quickly. Always give time to play guitar daily Constant playing will make the

player more accustomed to their instrument of choice. Novice spanish guitar players may benefit

from a few tools that make the process even easier, and more accurate.

Being a beginner, intermediate or advanced guitar player will also effect how and what you

practice. More an more men and women in their 40"s and 50"s are picking up a guitar and

learning how to play guitar. Iknow a few guitar players who would like to be able to play

amazingly fast, yet they don"t do a lot of technical practice.

It does not take long at all to learn to play guitar, as long you have a constant practice schedule and stick

to it. If you are serious about becoming a professional guitar player then you absolutely do need

a good knowledge of the blues. Let"s see what you can learn about the art of guitar playing

as you are standing there freezing.

We are in need of a guitar player with lots of experience. This way to play guitar will work

with slow easy pieces but it does not work with more complicated guitar melodies and when you start to

play pieces with more than one not at a time. Tablature is a system that shows guitar

players exactly what notes and chords to play by showing where to place their fingers on the neck of the

guitar.

In order to be able to benefit from all that a learn to play guitar book can offer, you have to be very patient

and motivated, which most of us are not. One must never try to aspire to be a guitar player if

he does not have the desire to learn how to play the guitar. This also applies to guitar

players like you and me.

There are many guitar lessons online that help guitar enthusiasts to at least get some of the basic and

intermediate know-how in guitar playing. You know if you really want to play guitar, just

start. The bad news is: No one is born knowing how to play guitarThe good news is: a lot

of others have blazed a trail for you.

Alot of guitar players don"t like studying theory. If you want to learn how to play guitar online,

then make sure you are learning how to play the one you have. Ask yourself these

questions to evaluate your future ability to stick with your goals:Why do I want to be a better guitar

player.

This interest can assist to making you a better guitar player. Electric guitar players who

play rock and metal music prefer thicker picks to produce more controllable, delicate and great

music. Now, after you have purchased your metronome; and believe me when I say that

nobody is a real muso without a metronome; and can hold a tight tempo with it, you can start searching

the web to learn how to play guitar online.

There are many, many guitar players and musicians out there that are perfectly happy with their level of

acquaintance ( my brother-in-law has been trying to learn guitar for the past year simply to be a

chick-magnet). You buy a teach yourself to play guitar instruction course or

book. To sum up what we have discussed about guitar playing so far we can say that when

you know what you want to accomplish and when it will be accomplished it is much easier to select a

proper method to use to reach your goals.

Sohel Katir

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The Famous 5 Note Scale – Play Great Guitar Solos With Only Five Notes

« Confused By Chords – 1 4 5 Unlocks Your Guitar’s Secret | Home | Pippa Hayes: Front Page of “INK 19? »

By Mike Hayes | November 16, 2010

Some guitar players seem to pick up a guitar and start playing
great solos without any effort, they hardly raise a sweat; other
unfortunates struggle with their instrument all their life
without making any noticeable progress.

I guess it just comes down to those that ‘have it’ can do it and
the those who ‘don’t have it’ are never are able to do it.

WRONG!!!

It all comes down to ‘those that know how to do it’, can do it
and ‘those who don’t know how to do it’ can’t. It has nothing to
do with natural talent or any other ‘old wives’ tales about
learning music.

Early on in my guitar playing adventures I was often puzzled by
certain individuals who were ‘not the sharpest knives in the
draw’, yet they could play really neat solos on the guitar,
whilst I (who was taking music lessons) could only play a few
kiddies tunes.

It turns out that a particular five note scale is the secret,
which five note scale? The minor pentatonic scale.

Technically speaking any group of five notes could be called a
pentatonic scale but the one that interest us as guitar players
is the minor pentatonic scale.

Extensive research has revealed that the notes of the minor
pentatonic scale can be found in almost every culture on earth,
this is truly a universal scale and of course explains it’s
popularity (both on guitar and in music.)

Music of the whole earth:

Here’s something to think about … in days gone by, people all
over the world working in isolation (from each other) arrived at
the same (or almost the same) set of notes.

Why five notes? … easy, people have five fingers.

Why do the notes(s) in the scale vary (slightly) from country to
country? Again, that’s an easy one, it’s because of the size of
the individual’s hand.

When a person in India is making a wooden flute the distance
between the holes will be slightly differ to a flute made in
Africa – it makes sense doesn’t it? The instrument maker would
craft their instrument to suit the size and shape of their
hand(s), this accounts for some slight variations in the same set
of ‘universal’ notes.

The amazing discovery is that people all over the world have been
searching for a particular set of notes that all feel ‘right’.
It’s as if we all come to the planet with the music inside us,
it’s just a matter of working out how to get the music out.

Now, let’s take a look at the famous five notes of the minor
pentatonic scale; I’ll use the “F” minor pentatonic scale for
demonstration purposes.

The notes of the “F” minor pentatonic are:

F minor pentatonic scale = F – Ab – Bb – C – Eb – (F)

If you are familiar with minor scales on the guitar you will
realize that the minor pentatonic scale could be created by
modifying the ‘natural minor scale’.

F natural minor scale = F – G – Ab – Bb – C – Db – Eb – (F)

By omitting the second and sixth notes we produce the “F” minor
pentatonic scale.

Topics: Beginner Guitar Lesson, Guitar Tips, guitar scales | 2 Comments »

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Guitar Tablature, Video Lessons & Mp3s

Tablature downloads inc: Adobe Reader Pdf file with left & right hand finger positions, fret numbers, guitar notes, chords plus Mp3 song download and Mpg-4 movie download.

Check it out!
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How To Tune A Guitar

« A Guide to Nylon String Guitars | Home | Learning To Use The Whammy Bar »

By chris

Guitars go out of tune much more frequently than other instruments. For instance, a piano can stay in tune for a year or more but a guitar often requires weekly or even daily tuning. For this reason, it’s important that everyone from the beginner level on up know the process of tuning a guitar. Don’t worry, it’s much easier than you might think when starting out and all you need is a reference pitch or an electronic tuner.

The easiest and most flexible way to consistently tune a guitar is using the aforementioned reference pitch – a note played by a perfectly tuned instrument or available from a digital audio file. For instance, if you’re using the standard six-string tuning of E-A-D-G-B-E, you would start by tuning the sixth string (low E).

To do this, play a low E reference pitch and adjust the tuning pegs on your sixth string until the sound produced by the sixth string matches the sound produced by the reference pitch. Once your sixth string is properly tuned, you can use it to tune the other five strings on your guitar starting with the fifth string.

To do so, you’ll want to fret the fifth fret on the sixth string in order to produce an A note. This A played on your sixth string will serve to tune your open fifth string which itself is an A. In this way, the sixth string now serves as a reference pitch for the fifth.

Simply adjust the tuning pegs until the open fifth sounds the same as the A played by the sixth string. With sixth and fifth strings tuned properly, simply proceed in the same manner to tune the remaining four strings. The steps are as follows:

1. Play the fifth fret on the fifth string to tune the open fourth string.2. Use the fifth fret on the fourth string to tune the open third. 3. Play the fourth fret on the third string to tune the open second.4. Play the fifth fret on the second string to tune the open first.

If you follow these steps and the strings still sound dull or they go out of tune frequently and dramatically, you’ll need to replace the strings. The strings of a guitar wear out more quickly than the components of many other popular instruments so you have to be especially watchful when playing a guitar.

I favor the above method especially for beginners because it teaches them more about handling their guitar, but a guitar can also be tuned using an electronic tuner. Electronic tuners cost about $20 or less and can sense which string you are playing using a built-in microphone.

Simply place the electronic tuner within a few feet of where you are playing and then proceed to play each string, adjusting the tuning pegs based on the electronic tuner’s display. As you can see, using an electronic tuner is a simple way to quickly tune your guitar without the use of a reference pitch. As I said, I prefer to use the reference pitch method but either method can be effectively used for tuning a guitar.

Topics: Guitar basics | No Comments »

« A Guide to Nylon String Guitars | Home | Learning To Use The Whammy Bar »

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Acoustic Guitar Body Dimensions

Does anyone know the dimensions of a Gibson Blues King?

Here’s the guitar:
http://www2.gibson.com/Products/Acoustic-Instruments/Small-Body/Gibson-Acoustic/Blues-King.aspx

It’s a small bodied guitar, and I saw someone about my size playing it, but I’m still not certain as to what the size is, and I can’t find it anywhere else.

Overall:
Headstock:
Upper Bout:
Waist:
Lower Bout:
?

Thank you in advance for tolerating such an annoying question!

wow a relay tuff question

Best Ibanez RG 1570 Prestige demo on the net (HD)

Shure PGX24/SM58 Handheld Wireless System, H6

Shure PGX24/SM58 Handheld Wireless System, H6

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The Shure PGX24 UHF Handheld Wireless Microphone System is a well suited system for singing and speaking applications alike.Shure PGX Wireless brings unmatched performance and simplicity to all users looking tostep upto wireless professional audio.Crystal-clear sound quality is attained through Shure’s patented Audio Reference Companding technology, which allows the full fidelity of the Shure micr…

Fender Starcaster Electric Guitar Pack with Amp and Accessories, Candy Apple Red

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SOLID-BODY GUITAR WITH MAPLE NECK & MATCHING HEADSTOCK ; 22-FRET ROSEWOOD FINGERBOARD; WHITE MOTO PICKGUARD; 3 SINGLE-COIL PICKUPS WITH FIVE-WAY SWITCHING, CHROME HARDWARE & TREMOLO BRIDGE; SP-10 GUITAR AMPLIFIER DELIVERS 10W; INCLUDES DIGITAL TUNER, 10-FT GUITAR CABLE, GIG BAG, STRAP, PICKS, STRINGS, STAND & INSTRUCTIONAL DVD; CANDY APPLE RED…

Making an Archtop Guitar

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The definitive work on the design and construction of an acoustic archtop guitar by one of the most talented luthiers of the twentieth century. Benedetto walks the reader through all aspects of construction through to marketing your finished work. Includes a list of suppliers to acquire all the tools and materials listed; a list of serial numbers for Benedetto guitars; full-color plates featuring …

Road Runner Molded Mid/Deep Roundback Acoustic Guitar Case Black

Road Runner Molded Mid/Deep Roundback Acoustic Guitar Case Black

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All dimensions in cm:. Internal. Length: 45-1/2?. Lower bout width: 15-3/4?. Upper bout width: 11-2/5?. Body depth:. Lower bout: 5?. Upper bout: 4?. Top upper bout: 1-1/5?. Top lower bout: 1-1/2?. External. Length: 45?. Upper bout width: 15?. Lower bout width: 18-1/2?. Lower bout depth: 8?.

Guild GAD-50PCE Acoustic Guitar Natural

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Model Name: GAD-F50PCE. Model Number: 381-2506. Category: Guild Acoustic Design. Body Style: Dreadnought Cutaway. Top: Solid Sitka Spruce. Bracing: Special Guild Scalloped Spruce. Back: Solid African Padouk. Sides: Solid African Padouk. Bridge: Indian Rosewood. Neck: One-Piece Mahogany. Fretboard: Rosewood (12" Radius). Width at Nut: 1-3/4". No. of Frets: 20. Scale Length: 25.5". Hardware: Chrome. Machine Heads: Grover Rotomatic Tuners. Finish: High Gloss (Polyurethane). Pickups: Fishman Acoustic Matrix Natural I Under Saddle Pickup with Endpin Jack. Neck Joint: Dovetail. Position Inlay: Ornate Mother-Of-Pearl Position Inlays. Strap Button: With Internal Block Reinforcement. Side Dot Position Inlays: Abalone. Headstock Logo: Mother-of-Pearl. Bridge Pins: Ebony with MOP Dots. End Pin: Ebony with MOP Dot. Nut: Bone. Saddle: Bone. Binding: Wood Body. Pickguard: Tortoise Shell. Back Center: Wood Mosaic Inlay. Case: Deluxe Hardshell Case. String

Guild GAD-4N Acoustic Guitar Natural

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Model Name: GAD-4N. Model Number: 381-0904. Category: Guild Acoustic Design Nylon string. Body Style: Hauser Classical shape with Cutaway. Top: Solid Solid Sitka Spruce. Bracing: Special Guild Classical Spruce. Back: Solid Mahogany. Sides: Solid Mahogany. Bridge: Indian Rosewood with Compensating Bone Saddle. Neck: One-Piece Mahogany with Rosewood Insert. Fretboard: Ebony (Flat Radius). Width at Nut: 1-3/4" (52 mm). No. of Frets: 20. Scale Length: 25.59" (650 mm). Hardware: Chrome. Machine Heads: Guide Special 3-in-line Tuners with Black Buttons. Finish: High Gloss (Polyurethane). Pickups: Seymour Duncan Timber-line. Neck Joint: Dovetail. Binding: Wood Body. Purfling: Wood. Rosette: Wood Mosaic. Side Dot Position Inlays: Mother-of-Pearl. Nut: Bone. Saddle: Bone. Headcap: Rosewood. Strap Button: on Upper Bout. Case: Deluxe Hardshell Case. Strings: D'Addario .016 to .054. Introduced: 1/2007.

Acoustic AG120S Acoustic Guitar Combo Amp Black

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Power: 2×60W power amplifiers. EQ: Low±15dB@80Hz; Med±15dB@ Sweepable from 500Hz to 1.2kHz; High±15dB@10kHz . Effects: 16 digital stereo effects. Channels: 2 – each with dual input jacks and volume controls. Speakers: Twin 8? coaxial studio monitor style. Dimensions: 21.3?H x 15?W x 20.8?D. Weight: 62 lb..

Martin HD-35 Acoustic Guitar Standard

$2799

3-piece rosewood back. Rosewood sides. Dreadnought body. Solid Sitka spruce top. Black and white rosette. 24-fret Ebony fingerboard. Exclusive Martin bracing pattern. Herringbone top trim. White binding. Two zigzag back strips. Includes hardshell case.

Kaces Acoustic Guitar Bag Standard

$19.99

Cordura outer shell. High density padding. Large outer pocket. Luggage-grade zippers. Shoulder strap and carrying handle.. Dimensions:. Length: 42". Depth: 6". Lower Bout: 19". Middle Bout: 13". Upper Bout: 8".

Martin HD16RLSH Acoustic Guitar Natural

$1999

Construction: Mortise/Tenon Neck joint. Body size: D-14 Fret. Top: Solid Sitka Spruce. Rosette: Fine Herringbone. Top bracing pattern: Hybrid X Scalloped. Top braces: Solid Sitka Spruce 5/16''. Back material: Solid East India Rosewood. Back purfling: Style 45. Side material: Solid East India Rosewood. Endpiece: White Bolaron. Endpiece inlay: Black/White Boltaron. Binding: White Boltaron. Top inlay style: Fine Herringbone. Side inlay: None. Back inlay: Black/White Boltaron. Neck material: Select Hardwood. Neck shape: Modified Low Oval. Nut material: White Corian. Headstock: Solid/Square Taper. Headplate: Solid East India Rosewood w/ Raised Gold Foil Logo. Heelcap: White Boltaron. Fingerboard material: Solid Striped Ebony. Scale length: 25.4. # of frets clear: 14. # of frets total: 20. Fingerboard width at nut: 1-3/4''. Fingerboard width at 12th fret: 2-1/4''. Fingerboard position inlays: Style 28. Fingerboard binding: None. Finish bac

Martin OM-42 Acoustic Guitar 1314036

$4899.99

Construction: Mahogany Blocks/Dovetail Neck Joint. Body Size: 000-14 Fret. Top: Solid Sitka Spruce. Rosette: Style 45. Top Bracing Pattern: Standard X Scalloped. Top Braces: Solid Sitka Spruce 1/4''. Back Material: Solid East Indian Rosewood. Back Purfling: Style 45. Side Material: Solid East Indian Rosewood. Endpiece: Grained Ivoroid. Endpiece Inlay: Black/White Boltaron. Binding: Grained Ivoroid. Top Inlay Style: Abalone Pearl With Black/White/Black Boltaron. Side Inlay: Black/White Boltaron. Back Inlay: Black/White Boltaron. Neck Material: Select Hardwood. Neck Shape: Low Profile. Nut Material: Bone. Headstock: Solid/Diamond/Square Taper. Headplate: Solid East Indian Rosewood /C.F. Martin Block- Select Pearl. Heelcap: Grained Ivoroid With Black/White Inlay. Fingerboard Material: Solid Black Ebony. Scale Length: 25.4''. # Of Frets Clear: 14. # Of Frets Total: 20. Fingerboard Width At Nut: 1-3/4''. Fingerboard Width At 12th Fret: 2-1/4

Martin OM-42 Acoustic Guitar Natural

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Martin D-18V Acoustic Guitar Standard

$2499

Construction: mahogany blocks/dovetail neck joint. Body size: dreadnought, 14-fret. Top: solid Sitka spruce. Rosette: Old style 18. Top bracing pattern: DOM forward-shifted. Top braces: scalloped 5/16". Back material: solid genuine mahogany. Back purfling: style 18. Side material: solid genuine mahogany. Endpiece: tortoise color. Binding: tortoise color. Top inlay style: multiple, black/white. Neck material: solid mahogany. Neck shape: modified V. Nut material: white Corian. Headstock: solid, square, tapered. Headplate: solid East Indian rosewood/large old-style logo. Heelcap: solid black ebony. Fingerboard material: solid black ebony. Scale length: 25.4''. Clear frets: 14. Total frets: 20. Fingerboard width at nut: 1-11/16''. Fingerboard width at 12th fret: 2-1/8''. Fingerboard position inlays: old-style 18, abalone. Finish back and sides: polished gloss/dark mahogany stain/dark filler. Top finish: polished gloss/aging toner. Nec

UltraSound DSX Acoustic Guitar Combo Amp and XTC Acoustic Guitar Speaker Cab PowerStack Standard

$728

DSX 50W 2×8 Acoustic Guitar Combo Amp. Innovative Stackable design. Speakers: 2 x 8" (Custom Coaxial Speakers made exclusively for Ultrasound). Channels: 2. Volume Controls: 1 per channel. Independent active EQ's for each channel. Microphone input for each channel. PhantomPower. RCA Inputs. Anti-feedback notch filter. Channel Assignable Digital EFX. Master volume. Power Output RMS: 100WRMS (50+50). Speaker Configuration: 2 x 8" coaxial. FX loop. DI Output. Line Out. Powerful 100W Power amp. 24 Bit Studio Quality DSP with 15 Preset Digital Effects. Dimensions: 13"H x. 18"Wx 11"D (Unstacked). 26"H x 18"Wx 11"D (Stacked with the XTC cabinet). XTC 50W 2×8 Acoustic Guitar Speaker Cabinet. Innovative Stackable design. Speakers: 2 x 8" (Custom Coaxial Speakers made exclusively for Ultrasound). Speaker Configuration: 2 x 8" coaxial.

Guild GAD-50PCE Acoustic Guitar Antique Burst

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Thursday, January 6, 2011

Learning to Play Guitar - Frets and Promises

Learning to play guitar could possibly be the wisest thing you ever decided to do. But it will not be easy. Whether you aim to be a professional guitarist or a campfire guitar strummer, there will be pitfalls to cross. This article will touch upon a few of the more common bumps on the guitar playing road with the hope that you will benefit from being warned about what lies ahead.

The reason Learning to play guitar can be one of life's disappointments is that many people do not know how to start. Spending a week or so stumbling through the first chords to "Blackbird" by the Beatles and laboriously picking out the "Iron Man" riff, then putting the guitar away in a cupboard is one of your classic urban tragedies.

If you are interested in just playing the guitar informally at parties or round the campfire, the best course of action is first, to learn what tabs are and how to read them, and second go online and pick tabs for songs that you know and like, and try to play them.

Usually I would not recommend lessons from your local guitar teacher because they are far more expensive than even the best courses on the internet, but if you are not going too deeply into guitar playing, a few lessons will eliminate some of the uncertainty from the first steps in Learning to play guitar.

One of the big issues for almost everybody who has started Learning to play guitar is which song to learn first. Your own preferences in music will help, of course but the best songs to start on are the ones that will impress other people at parties. "Smells Like Teen Spirit", or "Smoke On The Water". Something instantly recognizable. The thing with metal is the heavy use of power chords which only need three fingers to play. Twelve bar blues is good - you can learn different lyrics using the same chords.

Another simple solution is to think of albums that you like to play. Are there tracks that have stand-out guitar parts? Write down the names and hunt for the tabs on the internet. Failing that, just look for easy guitar songs. "Wish You Were Here" by Pink Floyd or "Horse With No Name" by America are good ones to start with. Go to about.com for a list of easy songs.

Let us move onto a problem that strikes the learner guitarist who manages to set a practice routine and actually learns two or three chords. Learning to make the changes between chords is one of the loneliest ways in the world to spend your time. Every day you seem to make a little progress, and the next day you always seem to be back to square one. Without an experienced guitar player to guide you, this is the time you could easily lose all hope of learning to play guitar. This is the beginning of the uphill climb that confronts all people who learn a new skill. Swimming, driving, guitar playing, they all need regular practice. If you do not have a friend who can help you with your guitar playing, seek advice from guitar forums or places like Yahoo Answers.

Finally, let us talk about the physical discomfort that can befall new guitar players. One of the first things you should ask an experienced guitarist about is how to hold the guitar. If you do not get it right, you are only going to make Learning to play guitar painful. Then there is the matter of making your fingertips hard. For a week or two, every time you start playing the guitar your left hand fingertips will hurt. Usually just for the first few minutes. This is a process all guitar players go through. Do not try dipping your fingers in stuff that is supposed to make the pain go away, just let it go away by itself.

Do you want to learn to play the guitar? Learn How To Play A Guitar For Free is a constantly updated blog which contains all the resources you need for: learning to play solo guitar, how to learn guitar chords, how to learn to read and play easy acoustic guitar tabs, finding a free online guitar tuner, looking for free guitar lessons online, and how to learn guitar scales.

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Acoustic Guitar Feedback Stopper

Bron-Yr-Aur (Led Zeppelin) by Andrea Vercesi

Softube Acoustic Feedback NATIVE Standard

Softube Acoustic Feedback NATIVE Standard

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Realistic simulation (physical modeling) of guitar feedback. Fully responsive to vibratos, bends, slides, tremolos, etc.. Control amount of feedback with the Feedback knob. Control the sensitivity with the Tolerance knob. Compatible with foot controls via MIDI. Includes a stripped, but extremely useful, version of the White amp from Vintage Amp Room (only Master Volume and Mic position controls). Available in native VST, AU and RTAS format for both Mac and PC.

Softube Acoustic Feedback Deluxe Standard

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Choose harmonics with the Harmonic Selector. Sub-harmonic modeling. Realistic simulation (physical modeling) of guitar feedback. Fully responsive to vibratos, bends, slides, tremolos, and more. Control amount of feedback with the Feedback knob. Control sensitivity with a Tolerance knob. Available for Pro Tools HD and VENUE. 44.1, 48, 88.2, and 96 sample rates are supported. Mono, Mono-to-Stereo, and Stereo modes are supported. See "Multi Mono Operation" for more information.

Softube Acoustic Feedback NATIVE

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The Acoustic Feedback plug-in from Softube allows you to release your inner beast with a very realistic guitar feedback simulator. Using simple controls, you get fully responsive vibratos, bends, slides, tremolos, and more. Go from moderate and subtle to rampant and wild with the simple twist of a knob (or two). The software includes a stripped, but extremely useful, version of the White amp from Vintage Amp Room (only Master Volume and Mic position controls). To break new musical ground, you can try inputting a synthesizer, violin, or even your mother's grand piano. Acoustic Feedback is compatible with foot controls via MIDI and is available in native VST, AU and RTAS format for both Mac and PC.

Softube Acoustic Feedback Deluxe

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The Acoustic Feedback Deluxe plug-in from Softube allows you to simulate the kind of guitar feedback that was popular in the days of Woodstock. Using uncomplicated controls, you get fully responsive vibratos, bends, slides, tremolos, and more. Go from moderate and subtle to rampant and wild with the simple twist of a knob (or two). The Deluxe edition gives you the ability to choose harmonics with the Harmonic Selector as well as sub-harmonic modeling. It also includes a stripped, but extremely useful, version of the White amp from Vintage Amp Room (only Master Volume and Mic position controls). To break new musical ground, you can try inputting a synthesizer, violin, or even your mother's grand piano. Acoustic Feedback Deluxe software is available for Pro Tools HD and VENUE as a TDM plug-in.

UltraSound AG-30 30W Acoustic Guitar Amp Standard

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Optimized for piezo pickups. 30W power. 8" coaxial speaker. Active bass and treble EQ. Mid-dip shape control. Sweepable notch filter to eliminate acoustic feedback. EFX loop. Headphone out. Line out. XLR out for DI. 16"W x 11"H x 11"D. 20 lbs.. 5-year warranty.

UltraSound DI Max Acoustic Guitar Preamp Brown

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Full-featured stereo preamp and DI box. "Bulletproof" metal housing. Input gain control for each channel to allow proper setting for the huge variety of acoustic pickup output levels. Balanced XLR output for routing the signal to a PA system. 1/4" Line Out for sending the signal to a stage amp. Both stage and PA outputs have their own level controls. 48V phantom power capability. Active bass and treble EQ for each channel. Mid-dip shape for each channel control permits removal of honky. Phase switch for each channel to help eliminate feedback.

UltraSound DSX Acoustic Guitar Combo Amp and XTC Acoustic Guitar Speaker Cab PowerStack Standard

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Softube Acoustic Feedback – Native Download Digital Download

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Release your inner beast with the first realistic guitar feedback simulator on the market – the Softube Acoustic Feedback Plug-in. Go from moderate and subtle to rampant and wild by the twist of a knob (or two). To break new musical ground, try inputting a synthesizer, a violin, or even your mother's grand piano. Acoustic Feedback comes bundled with a stripped, but extremely useful, version of the White amp from Softube's Vintage Amp Room plug-in. (Due to some careless handling, only the Master Volume and Mic position controls remain intact. All other pots have been broken off. Or something like that…).NOTE: Requires iLok USB key. It is not included in the Softube installer, but can be downloaded from www.ilok.com

UltraSound DI Max Acoustic Guitar Preamp Brown 889406304000

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Crate CA6110DG Gunnison Acoustic Guitar Amplifier Forest Green

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60W power. Special-design 10" speaker. 2 channels. Master EQ. XLR and 1/4" input jacks. DSP effects. RCA inputs with level control. XLR and 1/4" outs. Ground lift and level out control. Footswitchable automatic feedback elimination.

UltraSound DSX 50W 2x8 Acoustic Guitar Combo Amp Palomino

UltraSound DSX 50W 2×8 Acoustic Guitar Combo Amp Palomino

$499

Innovative Stackable design. Speakers: 2 x 8" (Custom Coaxial Speakers made exclusively for Ultrasound). Channels: 2. Volume Controls: 1 per channel. Independent active EQ's for each channel. Microphone input for each channel. PhantomPower. RCA Inputs. Anti-feedback notch filter. Channel Assignable Digital EFX. Master volume.

LR Baggs FM Feedback Master Acoustic Guitar Preamp

$99.95

The Feedback Master features a phase inversion control and two precise Garrett Null sweepable notch filters to accurately locate and eradicate feedback from top and air resonances without destroying your tone. The circuitry is all-analog pure class A from end to end to provide great tone quality. It works with virtually any pickup (active or passive) and includes a belt clip and mic stand adapter.

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